đ"Chasing the Buzz": 36 films coming to TIFF 2021 that film lovers really want to see
Dystopian thriller "Night Raiders," the feature debut by Cree-MĂŠtis filmmaker Danis Goulet, topped the Toronto Star's annual "Chasing the Buzz" poll of hot films heading to the Toronto International Film Festival.
Peter Howell
Movie Critic
The Delta blues canât drown out TIFF buzz.
Like the rest of us, the Toronto International Film Festival is still battling COVID-19, this time the worrisome Delta variant that is much easier to catch.
But reel life must go on â and so must our annual hunt for the most buzzworthy films at the fest.
The festâs 46th edition is scheduled to run Sept. 9 to 18, with both in-person screenings (theatres and drive-ins) and online viewings. With 132 features and 37 shorts, itâs less than half the size of a usual TIFF, but itâs hoping to punch above its weight the same way TIFF 2020 did.
So itâs time for the 21st edition of âChasing the Buzz,â the Starâs annual dive into the hive of pre-TIFF anticipation, taken from a poll of film critics, writers, programmers and scholars.
Thereâs a runaway winner this year, a movie thatâs as unsettling as a nightmare and as urgent as a headline: âNight Raiders,â a dystopian sci-fi thriller by Torontoâs Danis Goulet, a Cree-MĂŠtis filmmaker. Set in a military-run North America following a ruinous future war, the film stars Elle-MĂĄijĂĄ Tailfeathers as a Cree mother seeking to save her daughter (Brooklyn Letexier-Hart) from a forced education camp that recalls the horrors of residential schools.
Women filmmakers also dominated the next most popular choices, five films that took three votes apiece: âBeba,â an unflinching and racially aware self-portrait by filmmaker Rebeca Huntt; âEarwig,â a trippy drama by Lucile HadĹžihaliloviÄ about a girl with ice cubes for teeth; âLast Night In Soho,â Edgar Wrightâs time-travelling psycho-thriller starring Anya Taylor-Joy and Thomasin McKenzie as two sides of the same woman; âThe Power of the Dog,â a fraternally fraught western by Jane Campion starring Benedict Cumberbatch that arrives with much Oscar speculation; and âTitane,â Julia Ducournauâs Palme dâOr-winning shocker that gives a shocking twist to auto-eroticism.
There were also nine films with two votes apiece and 21 films with one vote apiece.
A total of 36 films shook our hive this year, which we hope will assist you in selecting from the 132 features coming to TIFF 2021.
Films that score in âChasing the Buzzâ are often seen on the road to Oscar glory. That was the path followed last year by âNomadland,â one of our 2020 top buzz picks that went all the way to Best Picture, Best Director (ChloĂŠ Zhao) and Best Actress (Frances McDormand) at the Academy Awards. Previous buzz quests have also turned up Oscar winners: âMoonlight,â âLa La Land,â â12 Years a Slaveâ and more, although the awards potential is really just a bonus. The goal of our poll is to find the best movies among the many unspooling at the festival.
Each of our 30 panellists was asked to name and explain the movie theyâre most keen on. Just for fun, and additional insights, we asked them to name a âwild cardâ pick with no explanations given. Letâs get buzzing:
đ MOVIE WITH SIX VOTES
Night Raiders (Danis Goulet)
â âCree and MĂŠtis filmmaker Danis Goulet draws on Canadaâs painful ongoing history of colonization to deliver a propulsive piece of genre fiction. The dystopia is us. Brilliant.â â Cameron Bailey, TIFF artistic director and co-head (Wild card: âMontana Storyâ)
â âYou had me at Cree dystopian thriller. Danisâs debut feature uses a sci-fi prism to reflect on Canadaâs shameful residential school past, present and future, resulting in an unforgettable ride.â â R.T. Thorne, producer, director, screenwriter (Wild card: âColin in Black & Whiteâ)
â âItâs a dystopian thriller that looks to be an exciting entry into the Indigenous futurism genre.â â Kelly Boutsalis, freelancer writer, journalist (Wild card: âThe Rescueâ)
(The other three votes are wild card picks.)
đ MOVIES WITH THREE VOTES
Beba (Rebeca Huntt)
â âRebeca Hunttâs intimate documentary memoir is a love letter to Black womenâs exceptional existence. Created by a rebellious crew of mostly women, Bebaâs journey illuminates the stories seldom told.â â Maxine Bailey, executive director, Canadian Film Centre (Wild card: âDionne Warwick: Donât Make Me Overâ)
â âAt age 31, Huntt makes a stunning debut exploring family dysfunction, racial identity and coming of age.â â Thom Powers, TIFF programmer, podcast host (Wild Card: âListening to Kenny Gâ)
â âFirst-time filmmaker Hunttâs personal ruminations on her Dominican-Venezuelan heritage as she navigates race/class issues in young American adulthood sounds like lovely and consequential breakout material (and one thatâs especially resonant for this Colombian-American writer).â â Eric Kohn, vice-president, editorial strategy, IndieWire (Wild card: âEarwigâ)
Earwig (Lucile HadĹžihaliloviÄ)
â âHadĹžihaliloviÄâs latest sounds like a parody of her work for the still-too-small coterie of people who would get such a joke. âA young girl with ice cubes for teeth begins a mysterious journey.â Of course she does.â â Donald Clarke, critic, Irish Times (Wild card: âYou Are Not My Motherâ)
(The other two votes are wild card picks.)
Last Night In Soho (Edgar Wright)
â âI have yet to miss an Edgar Wright film. This sounds very trippy and it stars Anya Taylor-Joy, who is a hypnotic presence in everything.â â Jim Slotek, critic, editor, Original-Cin (Wild card: âTitaneâ)
â âEdgar Wright worships at the shrine of genre cinema, and his foray into psychological horror looks like a giallo-tinged love letter to âRepulsionâ and âDonât Look Now.â â Victor Stiff, senior critic, That Shelf (Wild card: âNight Raidersâ)
(The other vote is a wild card pick.)
The Power of the Dog (Jane Campion)
â âCampionâs first film in 12 years is a triumph worth waiting for. The film is a mesmerizing, revisionist take on the American western featuring a career-best performance from Benedict Cumberbatch.â â Joana Vicente, TIFF executive director and co-head (Wild card: âCharlotteâ)
â âThe big-screen return of Jane Campion with a Western about warring brothers adapted from Thomas Savageâs groundbreaking novel and a cast led by Benedict Cumberbatch, Thomasin McKenzie, Kirsten Dunst and Jesse Plemons. Iâm all in.â â Linda Barnard, freelance film critic (Wild card: âLast Night in Sohoâ)
â âBuzz is very strong for the only film to be chosen for each of the big four fall festivals ⌠Campion won the Palme dâOr in 1993 for âThe Piano,â but Oscar has never come knocking at her door. This film could change that.â â Jordan Ruimy, critic, World of Reel (Wild card: âUnclenching the Fistsâ)
Titane (Julia Ducournau)
All three votes for âTitaneâ were wild card picks.
đ MOVIES WITH TWO VOTES
All My Puny Sorrows (Michael McGowan)
â âIâm looking forward to McGowanâs film, adapted from Miriam Toewsâ novel. It was a favourite book club selection and the casting of Alison Pill and Sarah Gadon as the troubled sisters is genius.â â Michèle Maheux, former TIFF executive director (Wild card: âLo Invisibleâ)
â âIâve been a Michael McGowan fan since âSaint Ralph.â I love that he leans into emotion. The pairing of Sarah Gadon and Alison Pill in this adaptation of a beloved Canadian novel is gold-star talent from this country.â â Teri Hart, producer, host, Super Channel (Wild card: âNight Raidersâ)
Benediction (Terence Davies)
â âThe combination of Siegfried Sassoonâs famed poetry and books on the First World War, and the fierce determination of Terence Daviesâ unerring instinct to uncover unsettling truths is irresistible.â â Piers Handling, former TIFF CEO (Wild card: âEarwigâ)
(The other vote is a wild card pick.)
Dionne Warwick: Donât Make Me Over (Dave Wooley, David Heilbroner)
â âIâm a sucker for music documentaries so Iâm all in for this. It promises rare footage, great music and an in-depth look at a very private superstar.â â Richard Crouse, host, âPop Lifeâ (Wild card: âCompartment No. 6â)
(The other vote is a wild card pick.)
Learn to Swim (Thyrone Tommy)
â âMaking the leap to feature films, Tommyâs tale of a stormy romance between two jazz musicians is a must-see love story for me.â â Courtney Small, film critic, That Shelf (Wild card: âDug Dugâ)
(The other vote is a wild card pick.)
Memoria (Apichatpong Weerasethakul)
â âApichatpong Weerasethakul teaming up with Tilda Swinton is definitely going to spark up the screen!â â Alice Shih, critic, Fairchild Radio (Wild Card: âTitaneâ)
(The other vote is a wild card pick.)
The Rescue (E. Chai Vasarhelyi, Jimmy Chin)
â âThe âFree Soloâ Oscar winners follow their death-defying mountain movie with a deep dive on the 2018 Thai cave rescue.â â Pat Mullen, publisher, POV Magazine (Wild card: âDrunken Birdsâ)
(The other vote is a wild card pick.)
Spencer (Pablo LarraĂn)
â "Pablo LarraĂnâs gift for unresolvable tension and the ever-deepening talent of Kristen Stewart means we are in for an insightful and vividly emotional profile of the peopleâs princess." â Sherry Coman, media professor, Martin Luther University College (Wild card: âNight Raidersâ)
(The other vote is a wild card pick.)
Unclenching the Fists (Kira Kovalenko)
â âIn an industrial town in the North Caucasus, a middle child struggles to escape the stifling grip of the family she both loves and rejects. This claustrophobic second feature from co-writer and director Kira Kovalenko was the winner of the Un Certain Regard Prize at this yearâs Cannes Film Festival.â â Dorota Lech, TIFF programmer (Wild card: âThe Hill Where Lionesses Roarâ)
(The other vote is a wild card pick.)
Charlotte (Eric Warin, Tahir Rana)
(Both votes for âCharlotteâ are wild card picks.)
đ MOVIES WITH ONE VOTE
Drive My Car (Ryusuke Hamaguchi)
â âMaybe itâs thanks to Lee Chang-dongâs âBurning,â but a Murakami adaptation is my kind of ride. Based on some reactions at Cannes, this film sounds stylish, contemplative, even a little sleepy. Iâm buckled in.â â Jake Howell, writer, freelance film programmer (Wild Card: âSpencerâ)
A Hero (Asghar Farhadi)
â âFew directors set up scenarios that so astutely and subtly capture the foibles and complexities of relationships like Iranian director Asghar Farhadi.â â Karen Gordon, critic, Original-Cin (Wild card: âMemoriaâ)
The Mad Womenâs Ball (MĂŠlanie Laurent)
â âThis exquisitely made feature debut by MĂŠlanie Laurent is a heart-wrenching portrait of a woman locked up and tortured because she sees spirits.â â Anne Brodie, critic, What She Said! (Wild Card: âBenedictionâ)
Official Competition (Mariano Cohn, GastĂłn Duprat)
â âOscar Martinez? Antonio Banderas? PenĂŠlope Cruz? Por favor. Itâs going to be magical.â â Maria Alejandra Sosa, TIFF head of media relations and strategy (Wild card: âThe Boxâ)
Petite Maman (CĂŠline Sciamma)
â âTwo years later and I still havenât fully recovered from the devastating final act of âPortrait of a Lady on Fire.â If CĂŠline Sciamma has a movie, Iâm there â no synopsis needed.â â Jerry Nadarajah, movie lover (Wild card: âTitaneâ)
Scarborough (Shasha Nakhai, Rich Williamson)
â âThis talented Toronto duoâs first narrative feature â Catherine Hernandezâs adaptation of her own acclaimed novel â is a quietly powerful story of love and community.â â Jennie Punter, writer, editor, Variety, Musicworks (Wild card: âWildhoodâ)
The Survivor (Barry Levinson)
â âBen Foster, one of the best actors we have working today, plays a boxer forced to fight for his life and the sadistic amusement of his Nazi captors in a Second World War concentration camp. Jumping between that previous timeline and post-captivity, director Barry Levinsonâs true-story drama is sure to be ⌠a compelling testament to the fighting power of the human spirit.â â Matt Neglia, editor in chief, NextBestPicture.com (Wild card: âCharlotteâ)
The Worst Person in the World (Joachim Trier)
â âLongtime TIFF favourite Joachim Trier returns with the third instalment of his trilogy, which began with âReprise.â This may be his most vibrant film yet. It stars Renate Reinsve (Best Actress at Cannes) as a woman determined to live her life in her own terms.â â Steve Gravestock, TIFF senior programmer (Wild card: âLearn to Swimâ)
The remaining one-vote films, all wild card picks, are: âThe Boxâ (Lorenzo Vigas); âColin in Black & Whiteâ (Ava DuVernay); âCompartment No. 6â (Juho Kuosmanen); âDrunken Birdsâ (Ivan Grbovic); âDug Dugâ (Ritwik Pareek); âThe Eyes of Tammy Fayeâ (Michael Showalter); âJaggedâ (Alison Klayman); âListening to Kenny Gâ (Penny Lane); âMontana Storyâ (Scott McGehee, David Siegel); âThe Hill Where Lionesses Roarâ (LuĂ na Bajrami); âLo Invisibleâ (Javier Andrade); âWildhoodâ (Bretten Hannam) and âYou Are Not My Motherâ (Kate Dolan). đ
(This story originally ran in the Toronto Star.)
Twitter: @peterhowellfilm
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