

Why Olga vanishes into the derelict building in "Tár": a theory
Spoiler alert — but can you really spoil a film as puzzling as "TÁR"?


Croz on angry bandmates and why you don't lunch with tigers
The late rocker let it all hang out, in his Sundance '19 doc and his interviews.


Sundance reborn: Can the hybrid model work for the indie festival?
The annual Utah cineaste gathering is now two fests, in-person and online.


"Aftersun" shines at Toronto Film Critics' awards vote
Sublime father-and-daughter story wins four prizes.


"Titanic" still sails, a quarter century later
James Cameron's big ship saga is even better in 3D.


Dead on arrival, foul "Babylon" is one of the worst movies of 2022
Will it become known as Damien Chazelle's folly?


The 10 best movies of 2022 ... plus three bombs
What's nice and what's naughty as the year comes to a close.


"Women Talking" makes us question forgiveness, love, justice and faith
Sarah Polley transforms a novel of communal violation into essential cinema.


Hitchcock’s “Vertigo” is a masterpiece of obsession and betrayal
Hitchcock's obsessive mystery serves new insights with each viewing.